Go ahead; I defy you to tell me your eyes aren't oppositely hard and wet as they gaze upon the graphic masterpiece to my immediate right. I dare you to raise an argument as I proclaim that bit of visual coitus the ocular quickie of the century.I dare you.
You're looking at the cover of the latest issue of Murky Depths. You can't tell from the adjoining image, but that artwork actually wraps around both the front and back cover of the 'zine itself. It's a genre-crossing mosaic that I fell in love with as soon as I opened up my contributor's copies. In what is coming up on three years of *the* tastiest covers in both literary and illustrated magazines, this is my undisputed favorite. It ranks right beside Vinny Chong's orgasmic and award-nominated steampunk-inspired cover from several issues back.
And as if that weren't enough, my name is on it. A blow-up is SO going on my office wall.
My new DEPTH CHARGE column rounds out this issue. It's entitled "The Replacement Storytellers" and focuses on the gadgetry housing our stories today, and the descendants of said gadgetry that might be telling our stories tomorrow.
Witness a brief excerpt . . .
We are all becoming the Three Little Pigs of this even newer digital age. We’ve ditched the sticks and straw for much rawer building blocks, for ions and lithium and silicon and savage steel. Our refining techniques, however, make nursery rhyme magicks look like a Taiwanese hooker’s ping pong ball trick. We architect microcosmic wonders so sleek and deft in design that they become mundane as quickly as we can snap them to our belts or sheath them in a silicone skin holster.
I was in the zone, kids.
On a related note, I'm currently looking to fatten my freelance portfolio. So if you are a magazine editor, or have the ear/genitals of a magazine editor, there is no subject, genre, or cultural niche I cannot dissect and reassemble into pure distilled word fetishism.
Seriously. I write words good. Pass it on.
Issue #7 of
It’s the three-year anniversary of
TABLE OF CONTENTS
”Saint Darwin’s Spirituals” by D.K. Thompson is also now
You see that? No, you don't. Because we can't even show it to you. Because the issue four cover by BSFW Award-winning Artist of the Year
Prose
A first in Murky Depths Universe! We present Death and the Maiden in a stand-alone 28-page FULL COLOR comic that collects all four episodes of Richard Calder’s gothic hardboiled post-cyberpunk prosaic freakshow epic. It’s our first trade paperback, and you can pick it up for a mere three and a half pounds, roughly seven bucks American. 
